I’ve been getting the same question a lot lately, which suggests an old Christian apologetic trend has risen from the dead and is making its rounds, zombie-like, across the internet: “I’m being told it was normal in the ancient world to publish histories anonymously, that Suetonius and Tacitus and Caesar did that, so the anonymity of the Gospels doesn’t indicate their unreliability. Is that true?” No. Not even a single part of that sentence is true. But I wrote on this elsewhere so long ago that it deserves its own resurrection, and (as Paul said of Jesus) into an even better, superior body. So, here we go. Wolverine versus rotting zombie.

The Gospels Were Anonymous

Let’s start with the problem: it’s well known in mainstream scholarship that the “names” attached to the Gospels were all assigned later, by whoever assembled the four Gospels into a single edition to be published together. Moreover, their titles use the designation not of authorship, but of source: kata Markon does not mean “by Mark,” it means “according to Mark,” which in ancient parlance meant Mark was not the author of the Gospel, but the purported source used by that author. What author? We’re never told. Thus, some third party was attaching this claim to the Gospel. It was not put there by the Gospel’s original author. And so likewise all the other Gospels. See my discussion in Three Things to Know about New Testament Manuscripts; though this is most directly explained in Trobisch’s The First Edition of the New Testament; and see the points made by Doston Jones; and even though Simon Gathercole’s 2018 article “The Alleged Anonymity of the Canonical Gospels” in The Journal of Theological Studies is a work of Christian apologetics, it remains an excellent survey of the scholarship and evidence, regardless of any follies in its reasoning (such as a gullible trust in Papias as a source).

This is deeply suspicious. Anonymous sources are not regarded as reliable, but as typically unreliable sources. Historians in all fields expect to be able to identify and thus vet the reliability of even an ancient source: who are they, and why should we trust them? It goes beyond just knowing their name, but also how they know anything they claim to know, and how they themselves evaluated or fact-checked it, and even what their agenda might be. If we can’t do that, that’s a big black mark against a source. We don’t trust what we can’t vet. Of course even when we get vettable information, that is necessary but it is still not sufficient to trust a source. But when a source doesn’t even meet a necessary condition, it certainly doesn’t meet a sufficient one either.

So it’s even more alarming that the first time any Gospel even claims to have an eyewitness source, which is the late, and wildly divergent and fictional, “Gospel according to John,” it still doesn’t even tell us their name. Not only is John anonymous (its author never claimed to be John; that claim was added later by someone else, whoever it was who assembled the four-Gospel edition we now know), but even John’s purported source is anonymous! So we have an anonymous source citing an anonymous source. Hearsay rule, anyone? It’s all the worse that that anonymous source is obviously completely made-up (as I document in On the Historicity of Jesus, Ch. 10.7). Which is a common problem in ancient mythography: the fabricated source. Alan Cameron devotes a whole chapter to that trend in Greek Mythography in the Roman World.

Of course, we also know our copy of John has gone through multiple redactions, so no single author composed every part of it; and the version that mentioned this made-up witness clearly meant it to be the resurrected Lazarus, as fictional a character as ever was (as I also document in On the Historicity of Jesus, Ch. 10.7). And the anonymous authors (and they do admit to being plural) don’t say they met or talked to this guy. They say they found something he wrote, and then just “insist” they know what he wrote is true—they never say how or why they know that. In other words, the authors of John just gullibly believed another anonymous Gospel, which they could offer no actual defense of as having any real authenticity whatever.

This is exactly what the author of Luke does: he says he just ‘believes’ that the prior Gospels he used as his sources preserve a “tradition” handed down by eyewitnesses; he does not say those Gospels were written by those eyewitnesses, or had eyewitness sources, or that he did; nor does he mention any way anyone even could know their content actually came from eyewitnesses at all. We know now that the author of Luke simply meant Mark and, probably, Matthew—but note, once again, Luke means he used anonymous sources. He does not name them…because they had no names attached to them when “Luke” wrote. This is precisely the kind of garbage we never trust from the ancient world. Reliable sources explained where they got their information, and why they trusted it, or how they vetted it, or at least who is saying all this.

True, real ancient historians and biographers were not as meticulous about this as modern historians are—and therefore all ancient sources are much less reliable than modern ones—but they at least often mentioned sources, and gave some indication of why they, and thus we, should trust them. They never ask us to “trust” anonymous sources, much less anonymous hagiographies. Even when they use such sources, e.g. as in Plutarch’s biography of the non-existent Romulus, or Herodotus’s frequent repetition of anonymous legend and rumor, we now especially don’t trust them on those details. But more importantly, even they didn’t ask us to. Herodotus is routinely clear that skepticism was acceptable, that he was merely relating what “people said,” not defending it as true. Plutarch likewise, who admits his sources conflict, don’t have reliable sources themselves, and whose accounts are possibly apocryphal.

This is not what we get from the Gospels. Which is why honest historians don’t trust them. It is highly unusual that an author would not even mention who he himself was, or who his sources were, either by name or in respect to why anyone should believe them, or both. It is so weird as to be outright suspicious that John simply “insists” we believe their unnamed source, but gives no explanation why. Likewise it is very odd, and thus outright suspicious, that Luke says he “used” some written sources that he is “sure” were preserving a reliable tradition, without ever saying who his sources were or why we should believe them (or believe they preserve eyewitness information). Luke and John are thus emulating the mere “appearance” of reliable histories of their day, while conspicuously avoiding the very thing that made them reliable. And that is about as red a flag as you can get.

But, But, Lots of Histories Were Anonymous! (Oh?)

It has been said that ancient authors often omitted their names from what they wrote. But this is not true for any other complete ancient work of real history that I know of. It was only true for forgeries and fictions, and political or religious propaganda (the entire Torah and all of the historical writings in the Bible are anonymous)—and the Gospels. And honest folk admit what that signifies. By contrast, no ancient work I know of, which claims to be factual and for which we have the complete text, truly went unsigned—other than mythology. Yes, you’ve heard otherwise. But you were lied to; or snowed with equivocation fallacies. Which typifies Christian apologetics—one of the reasons you should never trust a Christian apologist. Even if they are smart enough to avoid this particular con, they typically resort to some similar con or other—or have themselves been duped thereby, because they are also, oh so typically, painfully gullible. So let’s go through the usual Fake News they repeat on this point.

Someone has suggested, for example, that the Gallic Wars of Julius Caesar and the Dialogues of Plato went unsigned. But as for the Gallic Wars, if you are an amateur, many modern editions and translations make it seem as though the work is anonymous, particularly since Caesar writes in the third person. But all written manuscripts of De Bello Gallico (including the oldest, the codex Paris Latinus 5763, from the 9th century) begin incipit liber gaii caesaris belli gallici iuliani, “Begins Gaius Caesar’s Book on the Julian War in Gaul.” There are otherwise only minor variations. For instance, incipiunt libri gaii caesaris belli gallici iuliani appears in a marginal note in the codex Parisinus Latinus, but that merely reverts the singular (Book) to the plural (Books), as suited conversion of the books from scroll to codex format. The plural was certainly the original form, as the codex format was adopted centuries later. It was only in scroll form that there were multiple “libri,” i.e. one scroll per “chapter.” Which again attests this incipit’s authenticity. Ultimately, no manuscript of the Gallic War is anonymous.

In that work later commentaries did convert the adjective iuliani to a noun, moving it back to join the name as iulii, which was clearly a scribal attempt to improve the text, and was not the original form—for the other version, by omitting that nomen and instead relating it as an adjective modifying the book’s title, is less expected, and scribes did not correct texts to make them stranger, but more in line with their expectation. When the text was typeset for the first printed edition in 1477, the title was changed to Iuli Caesaris commentariorum de bello gallico, and the abbreviation for Gaius (“C.”) was added in the following century. And this is how the standard Oxford critical edition reconstructs the text, being the most familiar to educators, but the original beginnings are supplied in the apparatus beneath. Besides all that, one old manuscript (codex Amstelodamensis 81, from the late 9th to early 10th century) misattributes the text to Suetonius, clearly an error, one made centuries earlier, tripping up the 5th century author Orosius, who mistakenly thought the book was indeed written by Suetonius. But even that is an attribution, not “anonymous.”

Thus, in short, the Gallic Wars of Julius Caesar was not anonymous. One should certainly not mistake writing in the third person (not then uncommon a practice) for “anonymous authorship,” or think that English translations omitting the title line are correctly informing you of the actual content of the Latin manuscripts themselves. Those are amateur mistakes.

It should also be noted, of course, that besides the title lines on actual ancient books, some scrolls might also have tags or ribbons attached, or writing on the lip of the exterior verso, with the title and author, to make them more identifiable on a shelf (Gathercole helpfully references the scholarship establishing this). Needless to say, obviously, one way or another, scrolls had to have the authors attached, as otherwise ancient library catalogs could never identify them. Hence the largest we know of (the 120 volumes of the Pinakes of Callimachus, which we can assess from a few surviving fragments) not only reliably identifies every book by its author, but even decides to catalog them alphabetically by author. Other extant library catalogs demonstrate this practice as standard. Librarians did not know the authors of thousands of scrolls by magic. Obviously those scrolls had their names on them. That can only have come from their authors.

Many More Examples

As for Plato’s works, but for at least one exception, they are all fictional dialogues. Which does not mean they are forgeries, because they admit they are fictional. Even the Apology of Socrates, which is not titled as fiction, is written in the first person as if recording the words of Socrates directly, but admits it is written by Plato. The title in Greek reads literally Platônos Apologia Sôkratous, “Plato’s Apology of Socrates.” So, not anonymous. All of Plato’s dialogues were known as “experimental” fictions. As Diogenes Laertius informs us (in his Lives 3.58), the Dialogues began with the title ἡγεῖται Εὐθύφρων ἢ περὶ ὁσίου ὁ διάλογος δ’ ἐστὶ πειραστικός, or “The Experimental Dialogue Held with Euthyphro, or On Holiness.” It then proceeds in a theatrical format, like a play. In no way did anyone expect what follows was historical fact. It was simply Plato thinking out loud, using characters in a play. So even if he did not append his name (we actually don’t know, because we only have these in medieval collections naming them as the work of Plato), this is not biography or history, but fiction.

Other examples forwarded include Livy, Tacitus, Pausanias, and the biographies of Plutarch. But all have titles that include the author’s name, in all extant manuscripts, as is clearly stated and shown in the Oxford and Teubner editions of these texts. All manuscripts of Livy begin T. Livi Ab Urbe Condita. The sole manuscript we have for the first book of the Annals of Tacitus begins Cornelii Taciti Ab Excessu Divi Augusti Annalium. And the sole manuscript we have for the first book of the Histories places it as a direct continuation of the sixteenth book of the Annals, with the title Decimus Septimus Ab Excessu Divi Augusti, “the seventeenth” book of the annals. Likewise, the Agricola begins Cornelii Taciti De Vita Iulii Agricolae. And all manuscripts contain this material, some only adding additional elements (e.g. “…vita et moribus…,” “life and ways” of Agricola rather than just the Life of Agricola). Likewise the Germania begins Cornelii Taciti de Origine et Situ Germanorum. And again all manuscripts contain this, some only adding minor elements. The text of Pausanius begins Pausaniou Hellados Periêgêseôs, “Tour of Greece by Pausanias.” And likewise all manuscripts agree (again with only minor variations) that the biographies of Plutarch begin Archaiologias Ploutarchou Parallêlôn, “A Historical Study of Parallels by Plutarch.” None anonymous.

Notice that not one of these attribution lines matches what we have now in the Gospels. These all say they are “by” the named person, with a genitive of origin. No such attribution exists in our Gospels. They all instead give the form as kata plus the accusative of source, not of author. No other work in history was so titled, other than Gospels. So whoever did this with our Gospels was the first to invent it. In all other Greek literature this formula indicates a source rather than a composer. For example, when Plutarch cites Diodorus as a source, he says kata Diodôron. The sense is “according to,” as in “derived from.” Not “written by.” The original intent may have been to distance the editors of the fourfold Gospel from too bold a claim as to who actually wrote them; but Christian propagandists rapidly disregarded that caution and began reinterpreting this formula as a claim to authorship. Which it had never been before in the whole of Greek literature. But since no author would write that (only someone who wasn’t the author would), these title lines do not come from their authors; they come from later editors. Which means originally the Gospels had no names attached to them at all. They were circulated in emulation of the Holy Scriptures: anonymous, resting entirely on the authority of piety and God.

There were certainly many anonymous works of fiction in antiquity (the Lives of Aesop, for example). There are also works for which the inscription, sometimes along with the beginning of the work, is lost, leaving us to guess at the author, as is the case with certain rare works of Sophocles. For example, someone suggested that the works of Suetonius are unsigned, but that’s untrue: rather, we simply don’t have the page that would have had the title on it. So “we don’t have it” becomes telephone-gamed by equivocation fallacy into “he didn’t include it.” Wrong. The first several pages of his collected lives are lost; but we can be sure if we had them, they’d have his name in the title, as all other works of the kind did. Likewise, his treatise the Twelve Ceasars in our only extant copies begins abruptly at the death of Caesar’s father, when Caesar himself was already fifteen years old. We thus are missing the first few pages. Had we those missing pages, they would surely include Suetonius’ name. His Lives of Eminent Men likewise only survives in fragments.

Other claims of “anonymous” works include:

  • Xenophon’s Hellenica and Anabasis (false: his historical works have his name on them, e.g. Xenophôntos Kyrou Anabasis, “Xenophon’s Anabasis of Cyrus,” Xenophôntos Hellênika, “Xenophon’s Hellenica,” etc.)
  • Josephus’s Jewish Antiquities and Life (false: the JA begins τῶν Ἰωσήπου ἱστοριῶν τῆς Ἰουδαϊκῆς ἀρχαιολογίας, “Histories of Jewish Antiquity by Josephus”; the Life begins Ἰωσήπου βίος, “Life of Josephus,” and routinely identifies its author by name throughout)
  • Polybius (false: his work begins ΠΟΛΥΒΙΟΥ ΙΣΤΟΡΙΩΝ ΠΡΩΤΗ, “Beginning of the Histories of Polybius”)
  • Diodorus Siculus (false: his work begins τῶν Διοδώρου βίβλων, “The Books of Diodorus”)
  • Arrian (false: his Anabasis begins ΑΡΡΙΑΝΟΥ ΑΛΕΞΑΝΔΡΟΥ ΑΝΑΒΑΣΕΩΣ ΒΙΒΛΙΟΝ ΠΡΩΤΟΝ, “First Book of Arrian’s Anabasis of Alexander,” his Cynegeticus begins ΑΡΡΙΑΝΟΥ ΚΥΝΗΓΕΤΙΚΟΣ, “Arrian’s Cynegeticus,” his Tour of the Euxine Sea begins ΑΡΡΙΑΝΟΥ ΠΕΡΙΠΛΟΥΣ ΕΥΞΕΙΝΟΥ ΠΟΝΤΟΥ, “Arrian’s Tour of the Euxine Sea,” his Tactics begins ΑΡΡΙΑΝΟΥ ΤΕΧΝΗ ΤΑΚΤΙΚΗ, “Arrian’s Art of Tactics,” and so on)
  • Sallust (false: his text begins C. Sallusti Crispi Bellum Catilinae, “Cataline War by Gaius Sallustius Crispus”)
  • Florus (false: we actually have no original works by Florus; and his Epitome of Livy identifies itself as an Epitome of Livy—and all manuscripts ascribe it to one or another “Florus”)
  • Philo (false: our editions only strip his name from the titles and remove it to the beginning of their collection, a modern conceit; we know from early papyri that back then each title had his name on it, e.g. Philônos Peri Tôn … Kain Eggonôn, “Philo’s On the Posterity of Cain”)
  • Lucian’s biographical writings (false: Lucian did not write any biographies—his “lives” are all satirical fiction; but his auto-biography is titled ΠΕΡΙ ΤΟΥ ΕΝΥΠΝΙΟΥ ΗΤΟΙ ΒΙΟΣ ΛΟΥΚΙΑΝΟΥ, “On the Dream or Lucian’s Biography“)
  • Philostratus’s Life of Apollonius and Lives of the Sophists (false: ΦΙΛΟΣΤΡΑΤΟΥ ΤΑ ΕΣ ΤΟΝ ΤΥΑΝΕΑ ΑΠΟΛΛΩΝΙΟΝ, “Philostratus’s Things Concerning Apollonius the Tyanean”; ΦΙΛΟΣΤΡΑΤΟΥ ΒΙΟΙ ΣΟΦΙΣΤΩΝ, “Philostratus’s Lives of Sophists”)
  • Cornelius Nepos (false: no complete work of Nepos survives to claim this of; all we have are fragments or interior sections of lost works)

By contrast with all of these, the Gospels are addressed like fiction. If you want to claim they were intended as fact, and that they are complete (and they are), yet they were all unsigned when first composed (and they were), then their anonymity is effectively unique among all factual works of antiquity and therefore suspicious. It matches only the dubious model of Sacred Scripture—better known as mythology.

Hopes dashed on that score, some have resorted to pointing out that other Christian works, like the letters of Clement of Rome, are unsigned. However, that isn’t actually true: the author is named in that text as “the church of God which sojourns at Rome.” In other words, it is an administrative letter authored by an institution, not an individual. That the individual composer was named Clement can honestly be doubted (that name may have been appended later, thus making that attribution as fake as for the Gospels). In all the other collections of letters that survive, the letters or their collection are signed (and the genuine letters of Paul do indeed fit this tradition: they all have his name on them, even in the text of their incipits). Institutional letters may have been common as well, and only Christians preserved any to judge by. Otherwise, the anonymous letter (like Hebrews) is largely a peculiarity of Christian literature (or other propaganda, such as pamphlets leveling what were typically false or even outlandish accusations against politicians).

Of course, we may be too quick to judge in the case of Clement, since only one manuscript of his letters exists, and that manuscript—a Bible—plainly attributes the letters to Clement in its table of contents, so the erasure of the title and its removal to the front of the codex may have been an act of scribal license, or the outcome of carelessly extracting such letters from a larger collection now lost, and thus does not mean the letter originally went unsigned by an individual. But odds are better that it was originally signed, rather, by the institution claiming authorship of it, specifically to erase the vanity of its content being from any single individual. Which is not properly anonymous. If you get a letter from the IRS today, you would not say you got an anonymous letter from the IRS.

On the other hand, ancient letters tended to have the names of their author and addressee and the date of their composition (while their destination would typically be written on the reverse side, and thus not included in subsequent published copies of the text). The fact that the dates have all been scrubbed from Paul’s letters is among the abundant evidence we have that they’ve been edited for publication, resulting in important information being removed, even whole sections removed. In fact our copies appear to be select pieces of multiple letters stitched together to look like one long letter (one might suspect that “1” and “2” Corinthians means not the first and second letter, but the first and second volumes of letters Paul sent to Corinth, which were stripped and compressed by later editors into single letters). The date of Clement’s letter is similarly scrubbed, and with that the original author’s name might also have been deleted (it might not in fact have been Clement; conjecturing names for things is also a Christian tradition).

In any event, there is nothing about 1 Clement that supports the conclusion that ancient historical books (as opposed to fiction or propaganda) ever went unsigned. 1 Clement is signed by its endorsing institution (and may even have been signed by its individual author). A better candidate is Hebrews. Though it’s doubtful it began without a name (which the editing process likely stripped), even if it did, it is, quite self-evidently, religious propaganda, not a history book; and its anonymity actually reduces its trustworthiness to modern historians, exactly as that does in every other case.

Conclusion

One might notice that Gathercole’s analysis (in the apologetical article cited earlier) admits everything here stated, and only remarks on the fact that many authors were content to sign their work only in the title line and not otherwise identify themselves in the work itself. Claims like this might be getting telephoned on the internet into “the works of Xenophon were anonymous,” for example, when that isn’t what Gathercole said. They were signed. They just weren’t always doubly identified by the author explaining who he was in sentences in the book itself. The distinction is moot. Because when Xenophon is writing about himself, he does name himself (hundreds of times), as does Josephus in his autobiography, and so on, which a reader can then identify from the title line.

This is unlike the Gospels, where in every case the later-purported author never appears in the story at all—with the possible exception of Matthew, but there is no evidence this was originally imagined to be the author (the character appears in only one scene and one list, with no acknowledgement of their being even a source); and when they compose anything in the first person, it is still anonymous, as in Luke, John, and Acts. There is no analogy here to Xenophon, or Josephus, or any other real historian. The Gospels are peculiar in ancient literature for having no original attributions, and even anonymizing their sources. This characterized fiction and propaganda (including, you might notice, Jewish scripture); not memoirs, histories, or biographies.

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